Orient Express Compartment — Moving Train Spy Fight

A 9-second claustrophobic spy short, 16:9: night aboard the Orient Express, a spy fighting an assassin in a cramped compartment. The hook: the Alps flashing past the window — and a tunnel that strobes the fight black-white-black.
0-3s: A wood-paneled compartment at night, a single green-shaded lamp, snow-capped Alps flashing past the window. The door bursts open — an assassin lunges. The spy, in a dressing gown, meets him: a champagne bottle swung in a glittering arc, a curtain rod snapped off and wielded like a baton, the two grappling across the narrow space.
3-6s: The fight smashes the washbasin — porcelain cracking, water arcing. The camera stays tight and handheld inside the compartment: elbows, the lamp swinging, the window's snow-glare flashing across the struggle. A reflection shot in the dark window shows the grapple doubled, ghostly.
6-9s: The train plunges into a tunnel — and the fight strobes black-white-black with the tunnel lights, the grapple freezing in strobing frames: a fist, a gasp, the bottle raised. The train bursts back into the snowy night. The spy stands alone, breathing hard, adjusting his dressing gown. End.
Craft: the subjects are the spy (dressing gown, improvised weapons, elegance under pressure) and the assassin; the compartment as the arena — wood panels, green lamp, washbasin, the window onto the Alps. Camera: tight handheld inside the compartment, tunnel-strobe cuts, a window reflection shot of the grapple. Lighting: warm lamp glow, tunnel strobes, snow glare through the window. Atmosphere: desperate, elegant, trapped. Style: classic spy-thriller intimacy, 35mm, strobe rhythm, warm-dark grade, fine grain, 24fps, 9 seconds, 16:9.