After Hours — Neon Noir Fragrance

A 10-second neon-noir fragrance film, 9:16 vertical, photorealistic: a midnight city in rain, a woman, and a bottle that holds the whole city. The hook: the spritz mist catching the neon and igniting in color.
0-3s: Midnight, rain. A woman crosses neon streets — the camera following in wet reflections, pink, blue, gold smearing across the pavement. The perfume bottle glows in her hand under taxi light, its glass catching every color. Traffic hisses past; a sign buzzes.
3-6s: She pauses under an awning, rain drumming the canvas, and spritzes her neck — the mist catching the neon and igniting in color, a small constellation of pink and gold hanging in the air. The camera pushes into the mist: droplets lit like tiny lanterns, her skin glowing.
6-10s: She walks on into the rain, the bottle's glass holding the whole city's reflection — neon, headlights, the wet street doubled in its curve. The camera holds on the bottle as she disappears into the neon dark, the rain washing the pavement clean behind her. Magnetic, lonely, electric. End.
Craft: the subjects are the woman and the perfume bottle as co-stars; the midnight city — neon streets, rain, taxis, awnings — as the world; the spritz mist as the moment of ignition. Camera: a wet-reflection follow, a mist-ignition macro, a final bottle hold. Lighting: practical neon, rain reflections, the bottle glowing. Atmosphere: magnetic, lonely, electric — the city at its most beautiful hour. Style: neon-noir cinematography, photorealistic, 24fps, 10 seconds, 9:16 vertical.