Eiffel Dawn — The Tower Before the Tourists

10-second city-symphony film, 16:9. Dawn at the Trocadéro esplanade: the Eiffel Tower nearly alone, pigeons and a street sweeper, the iron lattice catching first gold.

0-3s: The vast terrace lies empty, stone pale in the pre-dawn blue. A street sweeper's broom hisses across the stone, the only sound; pigeons peck and flutter at the fountain's edge. The tower stands black against the lightening sky, a silhouette of impossible lace. The camera glides forward, low and slow, the esplanade's balustrade sliding past.

3-7s: First sun. It strikes the tower's crown and pours down the iron lattice — black iron warming to bronze, then glowing gold, the metalwork's shadows stretching long across the esplanade in intricate patterns. The camera rises gently as the light descends, the whole structure igniting level by level. Below, the Seine glitters silver; a bateau-mouche's lights still burn on the water. The fountains are off, the city holding its breath.

7-10s: The tower's beacon sweeps once across the low mist on the river, a slow blade of light. A pigeon crosses the frame, wings lit gold. The camera settles into a wide hold: the tower radiant, the terrace empty, Paris private and monumental.

Craft: the tower's iron lattice in true structural detail — arches, girders, rivets — the esplanade's stone balustrades and the sweeper's cart; the bateau-mouche's lit windows on the Seine. Camera: slow forward glide toward the tower with a gentle rise, 35mm feel, the light doing the work. Lighting: dawn progression — blue hour to first gold, the beacon as a final accent, soft mist diffusion. Atmosphere: serene-iconic, cinematic, hushed. Style: city-symphony film, soft gold-blue grade, photorealistic, 24fps.